A Bit of a Eulogy
by Paula Booker
Canary Gallery was inaugurated on Auckland's
K Road in March 2004 by founding directors Paula Booker and
J A Wallace and closed permanently in August 2006*. Dedicated
to exhibiting, publishing and promoting experimental contemporary
art, Canary provided a venue for developing critical conversation
around artwork. In 2003, practicing sculptors Wallace, Geraets
and Booker responded to the perceptible lack of exhibition
venues in Auckland and worked on their model for a gallery.
The trio then renovated a former K Road barbershop into their
distinctive and ungainly approximation of a white cube. That
was it.

Under Construction
The artist-run space took its name from the
sensitive birds that were used in coalmines to test the atmosphere's
toxicity. The gallery itself can be rationalised as an indicator
of the combined ability of the Auckland art community, Canary's
directors, and its contributors to sustain independent and
unfunded artist-run space. We understood that when the space
was not needed this would be apparent: from inception, the
directors admitted that changing conditions like participation
levels, motivation and prerogatives could cause the 'death'
of Canary Gallery. We also acknowledged that this would be
a positive outcome, as any new project space to fill the gap
has the potential to be as pertinent to its era as Canary
was to its time.
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Show 1: Julian Dashper, Untitled
(Portrait of Ben Curnow)
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Show 5: Claire Van der Plas
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The gallery closed for a variety of reasons, the least of
which was our lack of financial support as our planned life
span was cut by only six months because of failure to secure
funding. As an artist's project the gallery always had sustainability
issues. The co-directors were not motivated to create a gallery
in the prevalent model of democratically run, publicly funded
mini-institution. Instead choosing a short life of vitality
for the Canary, leaving a space for new initiates to fill
and allowing the co-directors to move on to other projects
and focus on their own practices.
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Show 27: Golden Axe in the Performance
Series
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Show 33: Wall Paintings in 59 metres
Squared
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Canary was well supported by a community of artists, curators,
contributors, and volunteers, in addition the project space
also attracted a surprisingly broad audience - including those
who made their gallery visits online. A strong community and
audience is the heart of such volunteer-dependent initiatives,
we'd like to sincerely thank you all for your contribution!

Show 57: Famous Artwork - final exhibition
*Gretchen Geraets was also
a Canary co-founder. She added a great deal and left for Sydney
six months after the gallery opened.
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